Tangkuban perahu is an active volcano, 25 kilometers north of Bandung direction of Lembang, West Java, Indonesia. Its location is in between Sagalaherang village, Sagalaherang district, Subang regency and Cikole village, Lembang district, Bandung regency. This is Bandung's most famous tourist volcano just 30 km north of the city. This volcano offers many places to see and explore. Whether we look into the huge crater or hike down into it, stroll through the forest on its slopes, or simply enjoy the splendid panoramic scenery. Mt. Tangkuban Perahu is an interesting destination that everyone in the Bandung area is fond of visiting. When seen from Bandung, Mt. Tangkuban Perahu has a distinctive shape, like an upside down boat. Tangkuban Perahu means, in fact, "up-turned boat" This peculiar shape has stimulated the fantasy of the Sundanese people from early times as expressed in the Legend of Sangkuriang.
Geologically, Mt. Tangkuban Perahu has played a significant role in the development of Parahyangan highlands. This stratovolcano is on the island of Java and last erupted in 1983. Eruptions have contributed immensely to the hills north of Bandung through lava flowing into the valleys and hardening into rock, thus forming big cliffs over which waterfalls leap. Likewise, mud flows have formed a semi-circular cone of gentle gradient (what geologists call "a fan"), which is now a mass that blocked the valley of the ancient Citarum River near present day in Padalarang (some 18 km west of Bandung), this caused a lake to form covering the whole Bandung plain.
Tangkuban Perahu
Legend of Tangkuban Perahu
The name translates roughly to "upturning of (a) boat" or "upturned boat" in Sundanese, referring to the local legend of its creation. The story tells of "Dayang Sumbi", a beauty who lived in West Java. She cast away her son "Sangkuriang" for disobedience, and in her sadness was granted the power of eternal youth by the gods. After many years in exile, Sangkuriang decided to return to his home, long after the two had forgotten and failed to recognize each other. Sangkuriang fell in love with Dayang Sumbi and planned to marry her, only for Dayang Sumbi to recognize his birthmark just as he was about to go hunting. In order to prevent the marriage from taking place, Dayang Sumbi asked Sangkuriang to (1) build a dam on the river Citarum and (2) build a large boat to cross the river, both before the sunrise. Sangkuriang meditated and summoned mythical ogre-like creatures -buta ijo or green giant(s)- to do his bidding. Dayang Sumbi saw that the tasks were almost completed and called on her workers to spread red silk cloths east of the city, to give the impression of impending sunrise. Sangkuriang was fooled, and upon believing that he had failed, kicked the dam and the unfinished boat, resulting in severe flooding and the creation of Tangkuban perahu from the hull of the boat.
Mount Bromo
Mount Bromo (Indonesian: Gunung Bromo), is an active volcano and part of the Tengger massif, in East Java, Indonesia. At 2,329 meters it is not the highest peak of the massif, but it is the most well known.
Bromo Tengger Semeru National Park consist of hills and mountains, with Mount Semeru (3,676m) as its highest peak. This is also the highest mountain on Java. There are also 4 lakes and 50 rivers in this national park.
It is the location of the 10-kilometre wide Tengger Caldera within which lies the Bromo Crater.
Some endangered flora are protected in this park, such as: Fagaceae, Moraceae, Sterculiaceae, Casuarina junghuhniana, Anaphalis longifolia and about 200 species of endemic orchids.
There are also about 137 species of birds, 22 species of mammals and 4 species of reptiles protected. Examples are: Accipiter virgatus, Pavo muticus, Cervus timorensis, Cuon alpinus and Panthera pardus.
Legend of Mount Bromo
According to a folklore, at the end of the 15th century princess Roro Anteng from the Majapahit Empire started a separate principality together with her husband Joko Seger. They named it Tengger after the last syllables of their names. The principality prospered, but the ruling couple did not have children. In their despair, they climbed Mount Bromo to pray to the gods, who granted them help, but requested the last child to be sacrificed to the gods. They had 24 children, and when the 25th and last child Kesuma was born Roro Anteng refused to do the sacrifice as promised. The gods then threatened with fire and brimstone, until she finally sacrificed the child. After the child was thrown into the crater, the voice of the child ordered the local people to perform an annual ceremony on the volcano, which is still held today.
Gamelan
Gamelan is a term for various types of orchestra played in Indonesia. It is the main element of the Indonesian traditional music. The instruments in a gamelan are composed of sets of tuned bronze gongs, gong-chimes, metallophones, drums, one or more flute, bowed and plucked string instruments, and sometimes singers. In some village gamelan, bronze is sometimes replaced by iron, wood, or bamboo. The most popular gamelan can be found in Java, and Bali.
In Indonesian traditional thinking, the gamelan is sacred and is believed to have supernatural power. Both musician and non-musicians are humble and respectful to the gamelan. Incense and flowers are often offered to the gamelan. It is believed that each instrument in the gamelan is guided by spirits. Thus, the musician have to take off their shoes when they play the gamelan. It is also forbidden to step over any instrument in a gamelan, because it might offend the spirit by doing so. Some gamelan are believed to have so much powers that playing them may exert power over nature. Others may be touched only by persons who are ritually qualified. In Javanese gamelan, the most important instrument is the Gong Ageng. The Javanese musicians believe that Gong Ageng is the main spirit of the entire gamelan.
The varieties are generally grouped geographically, with the principal division between the styles favored by the Balinese, Javanese, and Sundanese peoples. Sundanese gamelan is often associated with Gamelan Degung, a Sundanese musical ensemble that utilises a subset of modified gamelan instruments with a particular mode of pelog scale. Balinese gamelan is often associated with the virtuosity and rapid changes of tempo and dynamics of Gamelan gong kebyar, its best-known style. Other popular Balinese styles include Gamelan and kecak, also known as the "monkey chant." Javanese gamelan was largely dominated by the courts of the 19th century central Javanese rulers, each with its own style, but overall is known for a slower, more meditative style than that of Bali. In Java, gamelan music is an integral part of all cultural activities such as wayang kulit (leather puppets) performance, court dance, uyon-uyon (symphony orchestra performance), etc. There are two kinds of laras (tuning) in gamelan, namely slendro (comparable to minor key in Western music) and Pelog (major key).
The gamelan orchestra includes some singers (Pesinden), female as well as male. There are some very famous Pesindens, their names are almost known by everybody in this region. Some believe that in the ancient time, the first set of gamelan, by the name of Lokananta was created by gods and played in Mount Lawu, Eastward of Solo.
Ulos - Batak
The most sacred textiles of the Batak people of northern Sumatra are the ragidup, was made 1900-1925, whose name literally means "pattern of life." Both during and beyond an individual's life, ragidup play central roles. Perhaps the most critical occurs when a woman is pregnant with her first child. At this time, her parents typically present her with a ragidup, which becomes, as her ulos ni tondi or "soul cloth," a supernaturally powerful object that will protect her and her family throughout life. During the rites, a specialist is called upon to "read" the cloth, whose complex patterns are believed to foretell the woman's future. A ragidup is also an essential element in Batak marriage rites, where it is wrapped around the mother of the groom by the father of the bride as a ceremonial gift. In death, the ragidup enshrouds the deceased and, years later, is used to wrap his or her bones when they are disinterred for ritual reburial.
Ragidup are constructed from five components—two side panels joined to a larger central section consisting of a large panel in the middle and two end panels adorned with complex geometric designs executed in supplementary weft (a decorative technique in which additional crosswise threads are added to the textile during weaving). In each ragidup, one end panel is considered "male" and the other "female," the gender being determined by the specific patterns used. The ornamentation of the central field varies, here consisting of a bold series of longitudinal stripes.
Songket
Songket is a fabric that belongs to the brocade family of textiles. It is hand-woven in silk or cotton, and intricately patterned with gold or silver threads. The metallic threads stand out against the background cloth to create a shimmering effect. In the weaving process the metallic threads are inserted in between the silk or cotton weft (latitudinal) threads. Songket is a luxury product traditionally worn during ceremonial occasions as sarong, shoulder cloths or head ties. Traditionally Muslim women and adolescent girls wove songket; "some boys and men are also weaving today". Traditionally-patterned Sumatran textiles embody a system of interpretable emblems.
In Indonesia, songket is produced in Sumatra, Kalimantan, Bali, Sulawesi, Lombok and Sumbawa. Songket weaving is historically associated with areas of Malay settlement, and the production techniques could have been introduced by Arab and Indian merchants. Historically, production was located in politically significant kingdoms because of the high cost of materials; the gold thread used was originally wound with real gold leaf.
